Zoya Cherkassky’s American Cooking opens at Fort Gansevoort September 16, using a found vintage cookbook as an entry point into paintings that examine immigration, identity, and everyday American life.
Massimiliano Gioni has been named Toby Devan Lewis Director of the New Museum, succeeding Lisa Phillips after her 27-year tenure — only the third director in the institution’s 49-year history.
Morgan Overton’s solo exhibition America: 500 opens at NoName Gallery in Philadelphia on July 3, asking what the United States looks like 250 years from now through figurative mixed media rooted in Afrofuturist thought and genealogical research.
Brazilian-American sculptor Marcus Vinícius De Paula opens Interstice: Thresholds Carved with Light and Time at Wexler Gallery in Philadelphia on June 11, 2026, presenting ancient stone sculptures embedded with integrated light alongside the first indoor installation of Titan.
Nancy Bea Miller’s fifth solo show at F.A.N. Gallery in Philadelphia’s Old City presents more than forty oil paintings spanning still life, animal subjects, and human portraiture. On view June 5–26, 2026, with a First Friday reception on opening night.
The Elsewhere art fair launched June 4–6 at the Yowie Hotel in Philadelphia — a locally-organized contemporary art fair in the city, bringing 27 galleries into the hotel’s rooms in a format built for the independent fair era.
Nicole Nikolich transforms Y2K tech into crochet icons in user_history—flip phones, Gameboy forms, and app symbols turned tactile and monumental.
Anj Smith’s “The Sequin-Strewn Night” transforms the body and landscape into surreal meditations on identity, desire, and defiance.
Jakob Grosse-Ophoff’s viral kinetic sculptures debut in Oslo at Gallery TM51’s “Machines Like Us,” on view October 16–November 23, 2025.
“I Got Through It” spotlights master printmaker John E Dowell at James Oliver Gallery, showcasing decades of powerful, reflective works on paper.
