Odds in the Absurd Puts Dada’s Oldest Question in Front of Six InLiquid Artists
Odds in the Absurd brings six InLiquid artists, Dada-inspired work and 3D-printed Duchamp models to Park Towne Place through Jan. 26.
Odds in the Absurd brings six InLiquid artists, Dada-inspired work and 3D-printed Duchamp models to Park Towne Place through Jan. 26.
Evanescence: We Are All Still Fading brings Neil Anthony Edwards’s new paintings to Morton Contemporary, Nov. 14 to Dec. 6.
Made Over Time pairs James Atkins and Dane Tilghman’s decades-long painting practices at Moody Jones Gallery in Jenkintown, opening October 8.
InLiquid’s No Other Place to Go gathers five photographers confronting climate change and ecological loss, on view September 4 through October 17.
Erik Spehn’s Waves Become Wings at Pentimenti Gallery abandons painted ground for exposed linen, pairing woven grid compositions with shaped Doppelganger panels exploring simulacra.
Zoya Cherkassky’s American Cooking opens at Fort Gansevoort September 16, using a found vintage cookbook as an entry point into paintings that examine immigration, identity, and everyday American life.
“Shimmer—Dreaming the Posthuman” brings 17 artists to the Frist Art Museum to reframe posthumanism as an ethical argument about care rather than a vision of human extinction, in what curator Mark Scala calls the final show in a career-spanning series.
InLiquid Gallery presents New Now IX, its ninth and largest new member showcase yet, featuring 42 Philadelphia-area artists across painting, sculpture, photography, collage, jewelry, and mixed media.
Rebecca Rutstein’s Universal Nature at the Berman Museum at Ursinus College brings together fifteen years of her practice — suspended kinetic sculpture, large-scale paintings, and new Greenland expedition work made with sea ice brine. On view June 16–November 24, 2026.
Eustace Mamba stitches Caribbean history, American flags & North Philly streets into a new body of work. Lavender opens July 3 at Paradigm Gallery.