“No Other Place to Go”—5 Artists Turn Climate Data Into Human Experience at InLiquid Gallery
InLiquid’s No Other Place to Go gathers five photographers confronting climate change and ecological loss, on view September 4 through October 17.
InLiquid’s No Other Place to Go gathers five photographers confronting climate change and ecological loss, on view September 4 through October 17.
Zoya Cherkassky’s American Cooking opens at Fort Gansevoort September 16, using a found vintage cookbook as an entry point into paintings that examine immigration, identity, and everyday American life.
“Shimmer—Dreaming the Posthuman” brings 17 artists to the Frist Art Museum to reframe posthumanism as an ethical argument about care rather than a vision of human extinction, in what curator Mark Scala calls the final show in a career-spanning series.
Rebecca Rutstein’s Universal Nature at the Berman Museum at Ursinus College brings together fifteen years of her practice — suspended kinetic sculpture, large-scale paintings, and new Greenland expedition work made with sea ice brine. On view June 16–November 24, 2026.
Eustace Mamba stitches Caribbean history, American flags & North Philly streets into a new body of work. Lavender opens July 3 at Paradigm Gallery.
Brazilian-American sculptor Marcus Vinícius De Paula opens Interstice: Thresholds Carved with Light and Time at Wexler Gallery in Philadelphia on June 11, 2026, presenting ancient stone sculptures embedded with integrated light alongside the first indoor installation of Titan.
Nancy Bea Miller’s fifth solo show at F.A.N. Gallery in Philadelphia’s Old City presents more than forty oil paintings spanning still life, animal subjects, and human portraiture. On view June 5–26, 2026, with a First Friday reception on opening night.
The Elsewhere art fair launched June 4–6 at the Yowie Hotel in Philadelphia — a locally-organized contemporary art fair in the city, bringing 27 galleries into the hotel’s rooms in a format built for the independent fair era.
Amy Sherald: American Sublime is a nationally touring retrospective of over 100 works now open at the High Museum of Art in Atlanta. The show offers the fullest account yet of how Sherald’s desaturated figurative approach reshaped contemporary American portrait painting.
Tate Britain’s James McNeill Whistler retrospective opened May 21 and runs through September 27, 2026 — the most comprehensive European survey of the American-born painter in thirty years and a timely reassessment of his foundational role in modern visual culture.